I’ve always believed that simplicity is its own form of strength. In photography, it’s easy to fall into the trap of overcomplication — too many subjects, too much editing, too much intention. But for me, the best images often begin with restraint: a single line, a single tree, a single breath of fog.

There’s a clarity that comes when I strip things back. Composition becomes more deliberate. Light feels more precious. And in that quiet space, emotion has room to stretch out. I want the viewer to feel like they’ve stepped into the scene — not as a spectator, but as a participant in its stillness.
Of course, simplicity doesn’t mean easy. It takes time to see what can be taken away. But that’s the joy of it — distilling a moment down to its essence, and letting the image speak for itself. Just as nature does.